Wednesday, 25 September 2024
The Party’s Over
Tuesday, 24 September 2024
What lies beneath
In the high and far off times, when Angela Rayner thought Stockport so good she lived there twice, a strikingly similar scenario was playing out down south:
A senior aide to Jeremy Corbyn has hit back after allegations that he is engaging in electoral fraud.
Our hero is one Sam Tarry, erstwhile paramour of Ms Rayner and undeclared house guest in Lord Alli’s New York penthouse flat during Our Ange’s surprisingly inexpensive New Year’s Eve break, and there’s something oddly familiar about his unconventional domestic arrangements a decade ago…
The Sunday Times alleged that, while Tarry says he lives in a flat in Barking [where he serves as a councillor], he actually lives in Brighton with his wife. The Brighton address is on their marriage certificate and Land Registry records show that Tarry and his wife jointly own the property.
Tarry’s claim to have been permanently resident in Barking for most of the duration of his marriage seems a bit rough on his wife - and, for that matter, on the two children they somehow managed to produce under the circumstances before he bunked off with Angie a few years later. In any case, it all sounds as if it might have been a bit cramped at the Essex end of things:
The newspaper also reported that a trade union official, named Elly Baker, lived at the Barking flat. Tarry’s lawyers said she was his lodger.
It’s all more than a little reminiscent of Angela and her brother/lodger supposedly enjoying domestic bliss two miles down the road from her husband and young children. So what might connect two people (three if you count Mr Rayner) extracting the maximum benefit - political or financial - from declaring distinctly odd living arrangements despite the contrary paperwork and anecdotal evidence of their neighbours?
There may be a clue in the fact that all three are former trade union officials and thus, especially in matters relating to finance or public life, likely to have sought advice from union lawyers - certainly Tarry and Rayner’s confident public denials of wrongdoing suggest a complacent certainty of being covered by a technicality.
Sound familiar? This is the Party whose leaders have, in recent weeks, made deliberately misleading statements - ‘I didn’t go to New York with anyone’ and ‘There isn’t a document on my desk’ - perfect examples of sophistry by being economical with the truth*. I suspect that, this time round, Labour’s spin doctors have been joined by a hidden crew of lawyers ready to advise on loopholes, technicalities and sneaky evasions all, of course, for the greater good; as every Socialist knows, the end justifies the means.
I have a horrible feeling we are going to be seeing much, much more of this in the future
(Expanded from an exchange of comments at AK Haart’s place)
*A fitting coda from Starmer in a recorded interview broadcast this morning:
“Well, look, there was no breach of the rules or anything like that. We complied with everything.”
Starmer’s team have made changes to the register this year following “advice” sought from authorities. They said they “believed we had been compliant, however, following further interrogation this month, we have declared further items.”
Sunday, 22 September 2024
A Fairytale of New York (and elsewhere)
I thought I’d closed the Tavern doors for good but sometimes the Muse strikes and resistance is futile.
(With apologies to fans of the original…)
“It’s New Year’s Eve, babe,
In a Manhattan flat
Lord Alli’s lent me, so why not come along?
He says it isn’t wrong;
‘Just put the figures through
Two-fifty a night we’ll say, Ange, just ‘cos it’s you.’
Aren’t we the lucky ones?
We’ll never lack for funds
As long as Lord Alli is here for me and you,
So here’s to freebies
New York holidays,
The best designers; he’ll make our dreams come true.
“We’ve fine jackets and scarves
When the weather gets cold;
Who cares about WFA for the old?
We can sit in the front row
Among VIPs,
And then claim it’s self-sacrifice rather than sleaze.
It’s our cultural duty!
Go see Taylor’s booty,
Take the kids to the footie - the donors will pay.
Give Downing Street passes
In exchange for free glasses
Then cover our arses and go on our way.”
But suddenly the voters know
And say it’s not fair play;
Will they rat each other out to get away?
“You're a leech!” “You're a skunk!”
“Were you clueless or drunk
That you never once said ‘All this might be misread’?”
“You scumbag! “You maggot!
If you want it you’ll blag it,
Kiss a millionaire’s arse to come up with the brass.”
Or, though people hate hypocrisy
And wish they’d go away,
Will they keep on selling out day after day?
Saturday, 23 September 2023
‘All of Them Witches’
It’s probably a good thing I never went into business on a grand scale as, yet again, I appear to have been overestimating the intelligence of the American public.
A K Hart’s recent thought-provoking post on the resurgence of myths in modern society touches on a theme which has made several appearances here in the past few weeks:
Myths facilitate mass assimilation where technical explanations do not. Myths provide simpler and more widely accessible ways to guard against surprises, just as belief in witchcraft did. Burn the witch and if that doesn’t work there must be another one lurking somewhere.
Wednesday, 20 September 2023
Sweet Counterblast
Sunday, 17 September 2023
... as Christian does
Much has been made of the recent Times survey of the clergy and its conclusion (built on the somewhat sandy foundation of a 25% response rate) that Britain is no longer a Christian country.
Our distant rural forebears charted the year by the Christian festivals - Lent, Easter, Lady Day, Lammastide and so on - and attended church services as a matter of course but, for the most part, religion as practised by the general population of England was, as Elizabeth I pithily expressed it, not a matter for ‘making windows into men’s souls’ as long as they observed the correct rituals and obeyed the law of the land.
This tolerance, however, will not do for today’s C of E, at least in the experience of one of the elders of Clan Macheath. She isn’t religious but believes strongly in the importance of the village church both as a vital part of the local heritage and a hub at the centre of a small community; for her, it’s always been a clear case of ‘use it or lose it’, supported by a keen appreciation of ecclesiastical architecture, choral music and the language of the Book of Common Prayer and the King James Bible.
For years, she attended Matins (but not Communion) most Sundays, helped with the various flower festivals, fetes and celebrations and placed her widow’s mite in the collection plate, but that’s all over now thanks to what she calls ‘the P45 sermon’, in which the vicar made it clear that those who do not actively profess sincerely-held Christian beliefs should not be attending services - non-Communicants especially should get confirmed or stay away.
Quite apart from the incongruity of a supposedly Christian church telling people they are not welcome, it seems more than a little short-sighted to alienate members of the already-sparse congregation. The original impetus seems to have come from the Diocese, but this particular vicar seems to be pinning his hopes on recruiting the young; toys litter the side aisles, even though there are only ever a tiny handful of small children in evidence, and the church has expensive new amplifiers for electric guitars.
When the church closed for lockdown - a massive error of judgement; aside from the obvious spiritual considerations, the high ceilings and under-floor heating meant it was probably the safest indoor space in the area - the vicar confined his ministry to Zoom calls and WhatsApp, ignoring the many elderly parishioners, including the bereaved, who weren’t online; my relative and her friends asked around but found no one who had received a phone call from him, let alone a socially-distanced visit in person.*
Faced with this desertion in a time of need, a mutual support network evolved within the churchgoing community and extended its sphere into the wider village; parishioners checked up on each other, ran errands and passed on news of where help was needed or where a phone chat might lift someone’s spirits. Several of the people who kept this going throughout lockdown and beyond are among those now cast out by the vicar for being insufficiently evangelical or for the sin of not having being confirmed in childhood.
In this question of faith or good works, who, I wonder, is actually living according to Christian principles?
*By way of a contrast, a recent newspaper article described a vicar who, for as long as the churches were closed, made himself available to all by sitting outside his church door for three hours every Sunday, rain or shine..
Friday, 15 September 2023
Credit Where Credit’s Due
One of the hallmarks of what passes for fame today - as manifested by a host of ‘influencers’ and television personalities - is having a ‘clothing line’, a collaboration where the celebrity earns money by endorsing a range of apparel, generating sales from social media publicity and the inevitable press attention.
For the most part, the celebrity's role in the process is to select items from the manufacturer’s range of possible garments (I believe the influencers’ preferred term is ‘curate’, as if they were the Elgin Marbles or impressionist paintings); aside from superficialities such as colour or trimmings, all the labour over sketchbook or sewing machine is done by nameless employees of the company.
This week has seen a similar attempt to cash in on celebrity in a novel sphere, so to speak; the 19-year-old star of the TV series ‘Stranger Things’ appears on the cover of a new work of fiction as the author, even though the actual composition of the thing was the work of a ghostwriter.
Apparently Ms Brown contributed to the process with ‘a couple of Zoom calls’ and some WhatsApp messages about her relative whose wartime experiences inspired the story, but the writing itself - the flesh and bones of the book - is the work of a woman as sidelined on the cover as the staff in the design studios where celebrity-endorsed garments actually take shape.
In the words of Longrider, who, with a number of highly readable works (and some wonderful characters) to his name, is better qualified than I to comment on this story:
Writing a novel takes a bit more than sending messages on WhatsApp. You have to be able to craft your story, build worlds and learn how to write prose and dialogue in a way that is digestible to the reader without jarring. In short, it takes effort.
Celebrity autobiographies have long used ghostwriters - a mercy, given the tortuous grammar and paucity of vocabulary of some sporting or TV personalities - and it’s common practice for accounts of real-life events, where the emphasis is on documentation rather than creation. Fiction, on the other hand, is an art form which relies heavily on the quality of the author’s prose to create a self-contained world and set the tone of the narrative.
I wonder whether Brown feels any moral qualms at passing off another woman’s work as her own or whether, as a true child of her time, like the influencer who talks of ‘designing’ a sportswear collection, she believes that her own limited input is all that matters.
Thursday, 14 September 2023
On Fermi’s paradox
I can’t be the only who thought of this...
Meanwhile, the natural forces on planet Vogsphere brought forth […] elegant gazelle-like creatures with silken coats and dewy eyes which the Vogons would catch and sit on. They were no use as transport because their backs would snap instantly, but the Vogons sat on them anyway.
Douglas Adams: The Hitchhiker’s Guide to the Galaxy
...when I read this:
People taking selfies with ponies at a tourist hotspot caused a new-born foal to fall to its death from a cliff.
Never mind splitting the atom; I’m inclined to believe that, Adams’ fictional creation notwithstanding, we are completely alone in the universe because no civilisation could ever survive its equivalent of the smartphone and social media.
Sunday, 13 August 2023
The Writing on the Wall
The discovery that one can buy shit-jumbles word clouds as wall art (see previous post) raised an interesting analogy, and, perhaps, a suitable musing for a Sunday post.
Once upon a time, the walls of many British and American homes were adorned with texts of a religious nature - ‘Thou God seest me’, ‘The Lord is my Shepherd’ - often carefully crafted by friends or family members. These days, the writing on the wall is likely to be rather more secular (and effort-free); a plethora of mass-produced variations on ‘Love’, ‘Home’ or ‘Happiness’ can be picked up from the supermarket shelves along with the bananas and yoghurt, while larger framed or self-adhesive versions can be acquired at the click of a mouse.
All of this got me thinking; for whom is this display intended? The framed religious texts of bygone ages were intended to serve a spiritual purpose for the occupants of the house; a comfort in hard times and a reassurance of divine protection, perhaps, or an exhortation to stay on the straight and narrow. While such texts, whether embroidered, carved or hand-written, were often a demonstration of skill and diligence of the part of their creators, the choice of subject matter reflected a greater purpose founded in belief.
Today's words on the wall are far more likely to be aimed at impressing an external audience; social media has provided a way to share the contents of a private space with the world in general and show that you are keeping up with fashionable trends. While I can see the appeal of a specimen of elegant calligraphy as something to enjoy in one’s own home, much modern word art, bypassing the levels of interpretation required by more complex images, is designed to send a direct and somewhat peremptory message about what the observer should think or feel, making it the perfect art form for today’s lazy and emotionally incontinent social media culture.
Rather like the lettering on a bowl labelled ‘Dog’ - the dog can’t read and no one else is likely to eat out of it* - the content of today’s secular domestic texts is largely irrelevant to those living with them. However beautiful the lettering, written instructions to ‘cook’ and ‘eat’ in the kitchen or ‘wash’ in the bathroom are surely an exercise in redundancy, while a loving family is hardly likely to need a word cloud to testify to their mutual affection (though it’s grim to think that there are probably deeply unhappy homes out there lavishly decorated with words like ‘BLESSED’, ‘FAMILY’ or ‘HOPE’.)
Where our forebears would surround themselves with texts reminding them of a higher power, the focus of mass-produced word clouds leans heavily towards self-congratulation and outward show. Religious word displays and scripture quotations are still widely available, of course, although, in keeping with the spirit of the age, the painstaking craft of the past can now be replaced by wipe-clean vinyl, but, for the most part, the performative aspect of today’s word art is a striking testimony to the destructive cult of the self and the dual powers of ego and social media.
*update - just when you thought the things couldn’t get any more ridiculous: personalised word clouds for your dog, available in 17 different colour schemes...
https://www.stickers4walls.co.uk/products/personalised-dog-word-cloud-wall-sticker-31884
Wednesday, 2 August 2023
Lost For Words
Some years ago, a work colleague, having been on some kind of development course, was appointed to ‘cascade’ the content down to the rest of us, including the classroom use of what she called a ‘word salad’. (Unfortunately, it being an utterly unmemorable term for a completely pointless exercise, I had difficulty recalling it afterwards and somehow replaced it in my mental lexicon with ‘shit-jumble’, which has been my private name for the things ever since.)
It was thus something of a surprise that, looking for an example to illustrate the previous post, I found no online reference to ‘word salads’ as an educational tool. Instead, the Oxford Dictionary defines a word salad as ‘a confused or unintelligible mixture of seemingly random words’, while Merriam-Webster goes one better:
‘Word salad began as a term used in psychiatry to describe the nonsensical syntax of the mentally ill. [...] In recent years, however, a slightly different use of the term which means something closer to “nonsense” has emerged. This use of word salad usually reflects a judgment on the logic or intelligence of a person’s language, rather than on the person’s mental state.’
Given that the ‘word salad’ was enthusiastically taken up by the management and the more progressive staff, I’d say that hits it pretty squarely on the head. Despite having negligible educational value, subject-related word salads soon adorned everything from classroom walls to exercise books, while pupils were even being set to create them for homework using off-the-peg software (not exactly a demanding task; with the help of an online thesaurus, the one above took about five minutes from cut-and-paste to publication, including time to try out three different colour schemes).
My online searches eventually bore fruit; it turns out that my colleague (or the leader of her course) had the official name wrong, although she was well up with the Zeitgeist. The ‘word cloud’ has broken free of its original purpose - facilitating the analysis of metadata by visually representing keywords weighted by frequency or significance - and taken the corporate world by storm; its combination of eye-catching display with easily-generated content makes the concept irresistible to a certain type of manager - as well as being very tempting to teachers looking for an instant result with minimal effort.
The word cloud - or word salad - used in this way is a perfect manifestation of style over content, shouting keywords in a nonsensical context on corporate documents or the walls of offices and public buildings everywhere (and even, bizarrely, in a domestic setting). If you set out to design something that screams ‘shallow thinking’ or ‘empty PR gesture’, you couldn’t do much better; to borrow a singularly apt description from Shakespeare, it is ‘a tale told by an idiot, full of sound and fury, signifying nothing’.
(Although I still prefer ‘shit-jumble’.)
Friday, 28 July 2023
Sucker Ponchos
Sunday, 23 July 2023
‘And did those feet...’
Things have been rather quiet here partly because I’ve been doing a lot of walking in various scenic locations, much of it in the company of venerable but intrepid members of Clan Macheath.
Thus it was that I recently tackled a section of the Cornwall Coastal Path in the role of guide, Sherpa and helper-over-stiles to an assortment of female relatives in their eighth and ninth decades. They are a jolly and talkative bunch and, as we progressed merrily along, they were keen to explain how much of their enjoyment of the walk stemmed from their shared appreciation of a television series on the area - and, indirectly, of its presenter, Michael Portillo.
“Just think,” exclaimed one of them in awed tones, “he probably walked along this very stretch of path!” “Ooh yes!” cooed the others, stopping for a moment’s reverential contemplation of the vista once enjoyed by the politician-turned-broadcaster. The ladies in question are relatively apolitical - although one did go rather pink as she recounted how a canvassing Nigel Farage once shook her by the hand (rather literally, I gather; she’s not very big and he was rather enthusiastic) - but Michael Portillo clearly had the collective seal of approval.
What was particularly interesting, though, was the revelation, in the discussion which followed, that none of these ladies wants to vote Conservative. They concede that they might be obliged to do so in the case of potentially disastrous local candidates for the other parties, but they are unanimous that they have had enough; enough of Party infighting and backbiting, enough of pointless targets and ill-informed virtue-signalling policies, enough of the myriad shortcomings of the NHS and, above all, enough of being, as one of them put it, ‘farmed’ by the state for fees and taxes while their interests are largely ignored.
Quite rightly, they point out that they survived bombing and wartime disruption as children (one was actually born under the kitchen table during an air raid) and then endured years of rationing for the common good. They and their friends have worked hard, many of them in public service, and raised families and have, as they see it, a major stake in the society they helped to create in the post-war decades, but now they feel utterly abandoned by a government which expects them to do everything online and stands idly by while they are vilified for their age, presumed opinions and supposed ‘privilege’.
Since election strategy, like so many other things these days, is in the hands of statistical computer types - not to mention people of an age to dismiss the elderly as irrelevant - I wonder whether the Conservative party may be under the mistaken and patronising impression that these older voters will stick to their previous voting patterns. Truly we live in interesting times!

