Sunday, 14 May 2023

Hands Off My Saucepan!

If you have watched television news in the past few weeks, you have probably heard the UK  entry for the Eurovision Song Contest: an upbeat number from one Mae Muller (who, oddly for someone representing the United Kingdom, has apparently tweeted that she hates Britain):


Eurovision songs tend to the musically predictable but this one has more than the usual touch of comforting familiarity, for some at least. The first time my 85-year-old mother heard the chorus, she exclaimed ‘But I know this!’ and began singing virtually the same tune in Welsh. 

It’s familiar for me too, of course; I don’t speak the language but many of my family do and I’ve heard ‘sosban fach’ (‘Little Saucepan’) sung for as long as I can remember. For many people of Welsh descent, it is, to use my mother’s phrase, “in with the bricks”.

See what you think (I’ve used a modern version for better comparison):


It seems peculiar, but there seems to be nothing linking the two online (unless it’s on Twitter, which remains firmly outside my ken). Admittedly the scale only permits a certain number of musical combinations and similarities do arise -  my old music teacher would blend the Hallelujah Chorus with ‘Yes, we have no bananas’ as an illustration’ - but this does seem more than a coincidental resemblance.

Do you think it counts as cultural appropriation?

1 comment:

  1. Considering that the UK has produced some of the world's best songs, pop, rock etc. Why do we get every year a load of boring, derivative, completely unmemorable crap, sing, and I use that word loosely, by an "artiste" no-one has every heard of?
    Uplifting, my dead hamster, it was yet another "look how powerful I am getting through my challenges, but I'll be strong, etc etc, mawkish claptrap. The most catchy UK song has to be Sandy Shaw's Puppet on a Strong, catchy, tuneful and memorable even now, about 60yrs on. We only watch Eurovision for the commentator's sarcastic comments.

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